What’s more, “Fortnight,” the collection’s Post Malone-highlighting first single, set the standard as the stage’s most-streamed tune in a solitary day, beating Adele’s “Simple on Me” (set in 2021)
It didn’t hurt in piling up these numbers that, only two hours later “The Tormented Writers Division” emerged at the stroke of 12 PM ET, Quick declared to her languid fans that she was adding 15 tracks to the beforehand existing 16 for a 31-tune select computerized release.
Before the new collection emerged, Quick recently held the record for most streams in a solitary day, with the past benchmarks set by 2022’s “Midnights” and 2023’s “1989 (Taylor’s Rendition).”
It had previously been accounted for Friday that with “Writers,” Quick had turned into the most streamed craftsman in a solitary day in Spotify history. She recently broke her record as the most streamed craftsman in a solitary day when “1989 (Taylor’s Rendition)” dropped in October last year.
Before the collection discharge, she had proactively set a somewhat more unremarkable record, as “Writers” turned into the most pre-saved collection on the Commencement Page in Spotify history simply a day prior to it showed up.
